After looking at my preferred lens kit (4 primes), I think it only fair to give the two zooms I use, more often than even I realised, a quick mini review.
The Batman (Dark Mysterious and often Underestimated)
First up the 75-300 zoom.
It is really hard to over state the power and usefulness of this lens. It has reach, sharpness, nice Bokeh (for a slow lens), brilliant colour and takes images that mathematically seem Bumblebee like* in their improbability. I have had two of these. The first I parted with when I still used Canon a bit for long lens work, but when I caved and got the second, compared the images to both the 400 f5.6L and the 70-200 F4L, I realised it lost very little and allowed me to cut the cord fully.
Robin (or maybe Nightwing?) (The Little Scrapper)
A lens I own due to a re-gifted camera and one that I have only used a couple of times and then mostly for testing, is the 14-42 (the newer non electronic collapsible one).
What can I say? This lens reduces the gear centric thinking that I think controls most of us a bit. It is cheap to buy, cheap feeling and even a little cheap to look at, but the images are anything but cheap. It allows me to scratch the "gear does not matter" itch.
This is the lens (wait for it), that allowed me to sell the 12-40 F2.8 as it filled the seldom used wide angle and even less often needed "all rounder" standard lens roles. Paired with the 45mm, the perfect foil for it's weakness (slow at the long end), or the 75-300, I have either a very pocketable little day kit or amazingly powerful (for it's size) travel kit especially with the EPM2.
Don't get me wrong. The 12-40 was a lovely lens, but this little gem comes sooo close, I do not need to stress that I am cutting corners when needed. It is only ever really going to be used for the occasional landscape (best aperture used) or the even more occasional trip when a camera is really considered optional, but I would have no hesitation using it for either.
The lens has a "fine" sharpness rendering, with lots of micro contrast. It is by far the best cheap, standard lens I have ever used, with only the Fuji 16-50 kit for company. It also brings to the kit a slightly old fashioned rendering, where the 12-40 shared a similar look and dynamic with the 25mm, making them too similar to split.
For the kind of controlled or light hearted work it will do, it is ideal. If I was working professionally? Not sure. I would probably be too conscious of it's perceived cheapness.
What I have learned here is;
Modern lenses and cameras are getting better and better, but have reached a point of technical sufficiency. More is really excess. There is little to be gained from the super lenses on offer unless you are going to really stress them in the area they are specifically designed to excel and the better cameras are reducing limitations, but in most cases these limitations do not need to be removed.
This is especially evident when the end product is considered. For blogging, book publication, fine art prints up to a size and blogging etc, most cameras and lenses produce better images than needed.
Ask an Olympic sports photographer if they could do with more speed, accuracy and resolution and the answer will be yes, but ask them if they could do their job 20 years ago, they will also answer in the affirmative, it just took more time, planning and skill. They will also be the ones out of a job when the guy in the bleachers can shoot 16k video in the near dark, lifting out award winning images through saturation of their subject alone.
When you have been in the photographic world for long enough it dawns on you that you have been basically looking at the same images over and over for years. Advertisements are the most telling. I remember some amazing shots, taken in the seemingly distant past of great sporting or wild life events on film, without fast motor drives and manually focussed. The quality when viewed in a magazine, glossy brochure or even bill board was/is sufficient to impress. We are now being coerced by ideas not realities. I keep a few ancient (90's) magazines around to remind me.
Can you tell the difference between a 72dpi or 300 dpi A3 print at a normal viewing distance. There are many examples of people educated in the field not being able to. This also goes for cameras. I remember reading a review of the Canon G9 super compact camera on The Luminous Landscape blog. The reviewer was using it to make record keeping images made with his main camera, a 50mp medium format model. He was so surprised by the quality he made a bunch of prints (fairly big, A2-3?) and showed them to his friends, all experts in the field. The only way any of them could tell the difference between the images was the different rendering of the formats, but they still could not pick a clear winner or even work out what the trick to question being asked was.
The same site compared prints from three Canon cameras (an 8, 20 and 50mp). Yes you could tell the difference on close inspection, but at normal viewing distances not really. The things that were not rendered by the 8mp camera (a small red and white sign on a door) were still not perfectly clear (readable) with the 50mp images. This also bring up the subject of relevance. Would the image be better if you could read the "no parking over driveway" sign?
Ok. I have strayed off topic a bit, but the examples are many, comparing big vs small, real vs perceived, lens A vs lens B, all leading to the same conclusions; we can measure better than we can see, making measuring pointless in the real world. Kudos to you if you just bought that super lens or monster camera, but I warn you, for your own sake, don't go comparing or even worse ask a non photographer what they think. Their lack of shared enthusiasm can be heart breaking.
Try it yourself. Show a group of average people an image taken with a compact or older SLR of low MP rating and a different image made with a state of the art camera. Be fair and offer up two of your favourites and images printed and processed as well as you can, preferably both done recently so your own skill and processing preferences are the same. Don't tell the viewers what they are responding to, just show them the prints. I bet no one will pick or even care what differences there are in the images technically, only aesthetically (remember blogs are often written for other people with the same interest, but the bulk of the viewing public has no such background).
On the bright side, all of those older images you took, are still technically relevant.
Photographers are not limited by gear, only ability, skill, practice, time and subject matter.
* One of my favourite explanations for the difference between mathematics and science goes something like this;
"Mathematics plots and measures the probable, science proves it". Two examples are the Titanic that "could not be sunk" until the first field experiment horribly proved otherwise and the Bumblebee that apparently, mathematically cannot fly.