I am glad I have the pen as it has added another arrow to my quiver, easing some of the limitations my "one look" forced on me, but it has also strengthened my appreciation of the older cameras and their role in the future.
I must admit, I still sometimes childishly bristle at uneducated and often biased statements claiming that bigger sensors and only bigger sensors are capable of high quality results (the same statements were made when they only sported 12mp sensors which was apparently tons of quality when it was all that was available). Even top end compacts can now match pro cameras from only 5-6 years ago in image quality and direct comparison of the much loved Nikon D700 to even an early M43 camera is very revealing. I am not going to defend my weapon of choice, but simply say it is more that enough for me and my image needs and the needs of most others (if not, how did we function in the past?).
We must stop this bland and sterile "quality" hunt, because we are loosing sight of real quality. It is not in the technology. That just lets the ideas out in a form that is close to what we visualise, which in turn is based on our expectations of what any device can realistically produce. Sure there was a time when good quality was not assured (sub 1mp cameras with poor/slow handling and features), but that time is long past and if you stuck with film, your "bar" never changed. The measurable differences between cameras "X" and "Y" are now so slight, that it would be nearly impossible to show them (after judicious processing) on something as simple and as relevant as a large piece of quality printing paper.
To be able to tell, we must be equipped with better internal measuring devices, perfect memories and blessed with perfect judgement. We are not, so even experts have to compare huge prints, or 200% screen grabs of test charts, just to see the fine differences. Ask yourself which images move you the most, then look at them critically. Are they perfect in every way?
Ironically, one of the articles that caught my eye recently was published by a printing expert why compared prints measured in feet, not inches taken by M43 and full frame cameras. His conclusion was; you can (always) tell the difference if you look hard enough, but that in itself is often self defeating. There will always be a better camera, but often enough camera is close to hand. Keep chasing better and you will never be satisfied, because it will always be coming tomorrow.
The same qualifications, measurements and conclusions are repeated, time after time since the latter part of the last century. Newer is always better and you must have it. Nothing from the past can be considered. Here is an eye opener for you. Grab a copy of American Photo mag or similar from the 1990's. Look at the adds and compare the language, the images and tone to a current add. Rubber stamp copy most likely except in the specific technical terms.
Reason for rant?
A couple of articles on some blogs I follow, who are still falling into the review trap got me un settled. Not gear unsettled, but industry. Fine, talk about cameras, but not in dry, better or worse numerical values. Maybe in more or less suitable to a particular task or what the user liked/disliked. My fault for looking. There are plenty who do review without test values etc, but the reality is, the most visited sites are the number crunching ones.
I ask, when will it stop? Camera makers want to sell cameras, but the industry has reduced itself to comparison of numbers to help qualify more abstract ideas and with anything, when short cuts are taken, they become habits of convenience. I don't think the manufacturers are overly happy about it, but they are dancing to tune of reviewers (The Nikon D5500 is an example of a perfectly good camera with nothing new to offer forced into a world of new is better).
Why have mobile phones taken over 90% (or more) of photography for the common man? Because they are fun, they show a strong quality increase each generation (like DSLR's a few years ago), they are often enough and they are always with you.
Camera makers need to give us a reason to buy a better camera. Added complication is not that reason. One thing I passively hate about the Olympus cameras, that I find otherwise so affirming, is their ridiculously over loaded menus. Massive and largely useless feature sets with their need (like all of the others) to offer that "one unique thing" each model. How is it a camera can offer lots of new, but never really get on to of the noted problems of previous models? Problems with button placement and feature depth can often be solved with....less.
I often wonder how much easier teaching photography would be if the camera sold stuck to the basics. Training often requires as much advice about what to turn off/ignore as what to use and how.
Many years ago I sold top end Hi Fi gear. It came in two types. Very simple and beautifully crafted Euro style, sometimes with only 2-3 dials and buttons or the super complicated, all the bells and whistles Japanese monsters with far too many things that can go wrong with them. The Japanese often mimicked the European models in asperations, but could never leave out the swathe of extras that lost the point of the exercise..listening to the music. Guess which type I preferred? Oh for a simple and pure NAD style camera (mobile phone/TV/etc.)! I think it was called the Pentax K1000.
Are there better cameras out there than mine? Technically yes, there always will be, but in proportion to camera history, very few as it turns out.
Are there good images made by less advanced cameras? The majority were.
Are there better photographers out there than me? Oh yeah, lots and lots.
Is there anyone better at being me, where I am am, with my camera than me? No, never.