Keen To Call It From Here.

The Vespid gives me something special, something I have not had in video before, but I feel it is enough now. Spending more on an unknown is less appealing as I go on.

The Thypoch 28mm I have access to will be used for video tomorrow and I will decide then if that is the way to go, either the stills lens or the cine, not sure.

My two core kits, the S5 and Vespid, GH5s and Hope 25, both with Video Assists mounted.

There are lenses in the frame, the 7Artisans Infinte, 37 Floral Bloom (need to see some MFT format samples), the Vespid I and II wides, the Thypoch 28 in some form, but right now, I will sit and wait.

I am happy to admit the Vespid has opened my eyes to difference a true cinema lens makes and that I cannot put it into words at this point. Until I can, until I can quantify the look I am after, there is little point in chasing rainbows.

There is also an adapter for my mint Nikon 28mm coming. Might be a nice surprise there.